Miura (2024) is a sculptural tribute to one of the most emblematic traditions of Spanish culture, a profound symbol of bullfighting. The horn of the Miura bull, known for its fierce bravery and imposing aggression, stands as a reflection of the grandeur and mystery of a legacy that has shaped generations. This piece encapsulates not only the essence of the animal but also the ritual, passion, and history that surround it. Sculpted in Carrara marble, a material that evokes permanence and eternity, it becomes a silent witness to a tradition that many believe is disappearing, but whose reality tells a very different story. The horn of the Miura bull, preserved in the cold solidity of marble, transcends time as a tangible reminder of what was, what is, and what likely will no longer be. Through this work, not only is the figure of the animal materialized, but also the echo of a tradition that, although currently questioned and threatened, will remain alive in the collective memory as a testament to the ephemeral and the sublime. Thus, Miura not only captures the essence of a legendary animal, but also becomes a reflection of the fragility of our culture, a piece that, although seemingly petrified in its perfection, is deeply rooted in the changes and struggles that define the course of history.
GRACIA ARRUIZ (Pamplona, 1996)
Gracia Arruiz is a young sculptor specializing in stone currently residing in Brooklyn, New York. She trained in Italy in 2020, where she worked in prestigious studios such as Franco Cervietti (Pietrasanta) and Torart (Carrara), collaborating on projects by artists such as Fabio Viale, Damien Hirst, and Jeff Koons. Her work combines Italian sculptural tradition with contemporary processes, notable for the refinement and detail in marble and other stones. Arruiz transforms everyday objects into poetic sculptures that reflect on time, permanence, and the female gaze in contemporary art. Works such as “Point of View” reinterpret contemporary icons, such as a pair of Carrara marble sunglasses. In 2024, she moved to New York City with an extraordinary talent visa, where she continues to develop her personal practice and collaborate with leading sculpture studios.
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